Its final days.

Its final days.

 Last reflections.

Last reflections.

 The Projectionist's gaze.

The Projectionist's gaze.

 Seeing what he sees.

Seeing what he sees.

 Projection room wall.

Projection room wall.

 Outside the Thwin cinema.

Outside the Thwin cinema.

 A new Yangon.

A new Yangon.

 Rush hour.

Rush hour.

 Young cinemagoers.

Young cinemagoers.

 A theatre fills.

A theatre fills.

 The Victoria rolls.

The Victoria rolls.

 Night walk.

Night walk.

 A captivated audience.

A captivated audience.

 On a street corner.

On a street corner.

 Where the Shwe Gon, Myoma and Su Htoo Pan cinema's once stood.

Where the Shwe Gon, Myoma and Su Htoo Pan cinema's once stood.

 Killing time.

Killing time.

 Film falls.

Film falls.

 The curtain closes.

The curtain closes.

 As the lights fade.

As the lights fade.

 A city transforms.

A city transforms.

 Its final days.
 Last reflections.
 The Projectionist's gaze.
 Seeing what he sees.
 Projection room wall.
 Outside the Thwin cinema.
 A new Yangon.
 Rush hour.
 Young cinemagoers.
 A theatre fills.
 The Victoria rolls.
 Night walk.
 A captivated audience.
 On a street corner.
 Where the Shwe Gon, Myoma and Su Htoo Pan cinema's once stood.
 Killing time.
 Film falls.
 The curtain closes.
 As the lights fade.
 A city transforms.

Its final days.

Last reflections.

The Projectionist's gaze.

Seeing what he sees.

Projection room wall.

Outside the Thwin cinema.

A new Yangon.

Rush hour.

Young cinemagoers.

A theatre fills.

The Victoria rolls.

Night walk.

A captivated audience.

On a street corner.

Where the Shwe Gon, Myoma and Su Htoo Pan cinema's once stood.

Killing time.

Film falls.

The curtain closes.

As the lights fade.

A city transforms.

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